All MEMLING, Hans 's Paintings

The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters

Choice ID Image  Painting (From A to Z)       Details 
52197 Diptych with the Deposition  Diptych with the Deposition   1492-94 Oil on oak
68409 Evangelist Johannes  Evangelist Johannes   Date Deutsch: um 1468 English: c. 1468 Technique Oil on panel Dimensions Deutsch: 71 ?? 30 cm
8179 Portrait of an Old Woman sh  Portrait of an Old Woman sh   1468-70 Oil on wood, 25.6 x 17.7 cm Museum of Fine Arts, Houston, Texas
8185 Scenes from the Passion of Christ (detail) sg  Scenes from the Passion of Christ (detail) sg   1470-71 Oil on oak panel Galleria Sabauda, Turin
8184 Scenes from the Passion of Christ (detail) sh  Scenes from the Passion of Christ (detail) sh   1470-71 Oil on oak panel Galleria Sabauda, Turin
8183 Scenes from the Passion of Christ (left side) sg  Scenes from the Passion of Christ (left side) sg   1470-71 Oil on oak panel Galleria Sabauda, Turin
8176 The Presentation in the Temple (detail sg  The Presentation in the Temple (detail sg   1463 Oil on wood National Gallery of Art, Washington
8175 The Presentation in the Temple ag  The Presentation in the Temple ag   1463 Oil on wood, 60 x 48 cm National Gallery of Art, Washington
8180 Tommaso Portinari and his Wife wh  Tommaso Portinari and his Wife wh   c. 1470 Oil on wood, 44.1 x 33,7 and 44,1 x 34 cm, respectively Metropolitan Museum of Art, New York
8178 Triptych of Jan Crabbe ey  Triptych of Jan Crabbe ey   1467-70 Oil on oak panel, 78 x 63 cm (central panel), 83,3 x 26,7 cm (each wing) Museo Civico, Vicenza
8181 Triptych sg  Triptych sg   c. 1470 Oil on wood, 96,4 x 147 cm (central), 98 x 63,5 cm (each wing) Museo del Prado, Madrid
8177 Virgin and Child in a Landscape sg  Virgin and Child in a Landscape sg   Oil on wood, 50 x 29 cm Collection Rotschild, Paris
8182 Wings of a Triptych sh  Wings of a Triptych sh   c. 1470 Oil on wood, 98 x 63,5 cm (each wing) Museo del Prado, Madrid

MEMLING, Hans
Netherlandish Northern Renaissance Painter, ca.1435-1494 South Netherlandish painter of German origin. Together with Dieric Bouts I and Hugo van der Goes, he was one of the most important exponents of the new artistic developments that flourished in the southern Netherlands in the 15th century in the wake of Jan van Eyck, the Master of Fl?malle and Rogier van der Weyden. Their principal innovation was to apply optic realism to devotional or mystical subjects. Although Memling lived in the turbulent period of transition from the Burgundian ruling house to that of the Habsburgs, little of this is evident in his work. His commissions were almost exclusively from rich burghers in Bruges (bankers, merchants and politicians) or churchmen and the occasional aristocrat. Often they were foreigners, especially Italians, who had political or financial connections with the town, whose central economic position was to last only a few decades longer. They had Memling paint their portraits, bust or full length, in devotional paintings or on altarpieces for their chapel in Bruges or back home. He seems not to have received official commissions (from the town council or court). An exceptional proportion of this oeuvre has survived. Besides about 20 altarpieces, often in several panels and of considerable size,



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